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In the rhythm section example (Ex. 2) I play the bass plays chords of the 4/4 and 2/4 meter using alternating major and minor 6ths and thirds. I alternate eighth notes and triplet quarter notes which is In keeping with the meter and on the downbeats I play a pickup note or two.
Ex. 3rd string bass, congas, timbales, and a triangle keep the meter going in this example. I play pickup notes on the downbeats. The pedal and head are modulated to keep the feel of a tumbao, and the snare is free to roll along at will.
In the example in Ex. 4, I play a one or two beat pickup note on each downbeat just before the beater strikes the key. In between chords I play a bass part with a free notation for the snare, hi-hat cymbal and bass drum. The free head allows me to play a bass figure as long or short as I want.
Ex. 6 shows a simpler arrangement for Ex. 5, where I also play the penny whistle and drums. It is. published in my Salsa Piano Tumbao: 6 Song CD which is available at Amazon.com. The penny whistle is optional and gives the shuffle a lyrical touch, for a certain feel.
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